1957 में गुरुदत्त के निर्देशन व अभिनय से युक्त "प्यासा" ने कई संदर्भो में अपनी छाप छोड़ी| इसका साहित्यिक पक्ष भी उनमें से एक है|
टाईम मैगजीन द्वारा २००५ में जारी All-Time 100 Best Films (as chosen by TIME's movie critics Richads Corliss and Richard Schickel ) की सूची में भी इसे स्थान मिला| इसकी अनुशंसा करते हुए कहा गया -
Pyaasa (1957)
Directed By: Guru Dutt Screenplay: Abrar Alvi Cast: Guru Dutt, Waheeda Rehman
ike Japan, India had a golden age in the 1950s. Independence from Britain sparked a robust, questioning artistry. While Satyajit Ray was pioneering the nation's art cinema, commercial filmmakers such as Raj Kapoor (Awaara), Mehboob Khan (Mother India) and Bimal Roy (Do Bigha Zamin) were grafting influences from Hollywood melodramas and Italian neo-realism onto the Indian tradition of musical narrative. Pyaasa, which means thirst, is the most soulfully romantic of the lot. Vijay (Dutt) is an unpublished poet, dismissed by family and office colleagues but befriended by a prostitute (Waheeda Rehman). In a twist out of Sullivan's Travels, Vijay is believed dead and his poetry "posthumously" lionized. The writer-producer-director-star paints a glamorous portrait of an artist's isolation through dappled imagery and the sensitive picturizing of S.D. Burman's famous songs. And Rehman, in her screen debut, is sultry, radiant—a woman to bring out the poet in any man, on screen or in the audience. —R.C.
आज इसी फिल्म के काव्य-संपन्न एक अंश को आप सब से बाँट रही हूँ -
कविता जी, अगर कागज़ के फूल की नाकामयाबी ने गुरुदत्त को तोड़ा नहीं होता तो दुनिया का ये बेहतरीन और जहीन फिल्मकार इतनी जल्दी हमसे दूर नहीं जाता...गुरुदत्त के बाद जो फिल्म की दुनिया मिली है वो दुनिया मिल भी जाए तो क्या है...
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ike Japan, India had a golden age in the 1950s. Independence from Britain sparked a robust, questioning artistry. While Satyajit Ray was pioneering the nation's art cinema, commercial filmmakers such as Raj Kapoor (Awaara), Mehboob Khan (Mother India) and Bimal Roy (Do Bigha Zamin) were grafting influences from Hollywood melodramas and Italian neo-realism onto the Indian tradition of musical narrative. Pyaasa, which means thirst, is the most soulfully romantic of the lot. Vijay (Dutt) is an unpublished poet, dismissed by family and office colleagues but befriended by a prostitute (Waheeda Rehman). In a twist out of Sullivan's Travels, Vijay is believed dead and his poetry "posthumously" lionized. The writer-producer-director-star paints a glamorous portrait of an artist's isolation through dappled imagery and the sensitive picturizing of S.D. Burman's famous songs. And Rehman, in her screen debut, is sultry, radiant—a woman to bring out the poet in any man, on screen or in the audience. —R.C.
बहुत समय बाद यह गीत सुना..आपका आभार.
जवाब देंहटाएंबहुत सुन्दर गीत सुनवाया।आभार।
जवाब देंहटाएंबहुत सुन्दर गीत सुनवाया।आभार।
जवाब देंहटाएंकविता जी,
जवाब देंहटाएंअगर कागज़ के फूल की नाकामयाबी ने गुरुदत्त को तोड़ा नहीं होता तो दुनिया का ये बेहतरीन और जहीन फिल्मकार इतनी जल्दी हमसे दूर नहीं जाता...गुरुदत्त के बाद जो फिल्म की दुनिया मिली है वो दुनिया मिल भी जाए तो क्या है...
जय हिंद...